December 2, 2010   16 notes
The collection of scenes that Mitsuru Fujita has assembled into the collection Zaisyo feature not a single discernible human figure. This hardly would seem something worth mentioning, for despite the relatively high population density of Japan, any photographer with a car and a willingness to leave the urban areas could find those vistas devoid of humans yet pregnant with significance that are the well-eaten bread and butter of certain photographers. (…)

The collection of scenes that Mitsuru Fujita has assembled into the collection Zaisyo feature not a single discernible human figure. This hardly would seem something worth mentioning, for despite the relatively high population density of Japan, any photographer with a car and a willingness to leave the urban areas could find those vistas devoid of humans yet pregnant with significance that are the well-eaten bread and butter of certain photographers. (…)

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